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"I like any reaction I can get with my music. Just anything to get people to think. I mean if you can get a whole room full of drunk, stoned people to actually wake up and think, you're doing something." Jim Morrison
Green Day
Green Day is an American rock trio formed in 1987. The band has consisted of Billie Joe Armstrong (vocals, guitar), Mike Dirnt (bass guitar, vocals), and Tré Cool (drums, percussion) for the majority of its existence.
Green Day was originally part of the punk rock scene at 924 Gilman Street in Berkeley, California. Its early releases for independent record label Lookout! Records earned them a grassroots fanbase, some of whom felt alienated when the band signed to a major label.
The band has sold over 65 million records worldwide, They also have three Grammy Awards, Best Alternative Album for Dookie, Best Rock Album for American Idiot, and Record of the Year for "Boulevard of Broken Dreams".
Green Day was originally part of the punk rock scene at 924 Gilman Street in Berkeley, California. Its early releases for independent record label Lookout! Records earned them a grassroots fanbase, some of whom felt alienated when the band signed to a major label.
The band has sold over 65 million records worldwide, They also have three Grammy Awards, Best Alternative Album for Dookie, Best Rock Album for American Idiot, and Record of the Year for "Boulevard of Broken Dreams".
Jonathan Larson
Jonathan David Larson (February 4, 1960 – January 25, 1996) was an American composer and playwright noted for exploring the social issues of multiculturalism, addiction, and homophobia in his work. Typical examples of his use of these themes are found in his works Rent and Tick, Tick... Boom! He received three posthumous Tony Awards and a posthumous Pulitzer Prize for Drama for the rock musical Rent.
Phil Collins
Philip David Charles Collins, LVO (born 30 January 1951 Chiswick, London) is an English singer-songwriter, drummer and actor best known as the lead singer and drummer of English progressive rock group Genesis and as a Grammy and Academy Award-winning solo artist. He has also appeared in several films.
Collins sang the lead vocals on eight American chart-toppers between 1984 and 1989; seven as a solo artist and one with Genesis. His singles, often dealing with lost love, ranged from the drum-heavy "In the Air Tonight", to the dance pop of "Sussudio", to the political statements of his most successful song, "Another Day In Paradise". His international popularity transformed Genesis from a progressive rock group to a regular on the pop charts and an early MTV mainstay. Collins' professional career began as a drummer, first with obscure rock group Flaming Youth and then more famously with Genesis. In Genesis, Collins originally supplied backing vocals for front man Peter Gabriel, singing lead on only two songs: "For Absent Friends" from 1971's Nursery Cryme album and "More Fool Me" from Selling England by the Pound, which was released in 1973. On Gabriel's departure in 1975, Collins became the group's lead singer. As the decade closed, Genesis's first international hit, "Follow You, Follow Me", demonstrated a drastic change from the band's early years. His concurrent solo career, heavily influenced by his personal life, brought both him and Genesis commercial success. According to Atlantic Records, Collins' total worldwide sales as a solo artist, as of 2002, were 150 million.
Collins sang the lead vocals on eight American chart-toppers between 1984 and 1989; seven as a solo artist and one with Genesis. His singles, often dealing with lost love, ranged from the drum-heavy "In the Air Tonight", to the dance pop of "Sussudio", to the political statements of his most successful song, "Another Day In Paradise". His international popularity transformed Genesis from a progressive rock group to a regular on the pop charts and an early MTV mainstay. Collins' professional career began as a drummer, first with obscure rock group Flaming Youth and then more famously with Genesis. In Genesis, Collins originally supplied backing vocals for front man Peter Gabriel, singing lead on only two songs: "For Absent Friends" from 1971's Nursery Cryme album and "More Fool Me" from Selling England by the Pound, which was released in 1973. On Gabriel's departure in 1975, Collins became the group's lead singer. As the decade closed, Genesis's first international hit, "Follow You, Follow Me", demonstrated a drastic change from the band's early years. His concurrent solo career, heavily influenced by his personal life, brought both him and Genesis commercial success. According to Atlantic Records, Collins' total worldwide sales as a solo artist, as of 2002, were 150 million.
Wes Montgomery
John Leslie "Wes" Montgomery (March 6, 1923 – June 15, 1968) was an American jazz guitarist. He is unanimously considered one of the major jazz guitarists, emerging after such seminal figures as Django Reinhardt and Charlie Christian and influencing countless others, including Pat Martino, George Benson, Emily Remler, Kenny Burrell, Pat Metheny, and Jimi Hendrix. Digitaldreamdoor named Montgomery the greatest jazz guitarist of all time.
Isaac Shepard
Growing up in a musical family, Isaac Shepard began playing piano/keyboards by ear at the age of twelve and very soon thereafter joined the band his father, James, was singing and playing guitar in at the time. As a member of “Dave and the Reverbs,” Isaac played keyboards at various soup kitchens, homeless shelters, social gatherings, church events, and random venues throughout Southern California.
Within a few years, Isaac’s family (father James, mother Debra, and brother Elijah) joined together to form a family band they named “Four Shepards and a Lamb,” and in 1996 they produced a self-titled CD of original contemporary Christian music. In 1998, Isaac released his first solo album, “On Subtle Ground,” featuring original keyboard instrumentals. Over the years, Isaac has played piano for numerous church worship teams and has continued to collaborate with James, adding piano to the rock “Moment By Moment” CD and to the Beatles/Everly Brothers love-songs tribute album called “From Me To You.” In 2005, Isaac produced his first live piano album, “Swept Away,” a collection of relaxing compositions. In 2008, Isaac produced his second solo piano album, called “Deep Joy.”
Within a few years, Isaac’s family (father James, mother Debra, and brother Elijah) joined together to form a family band they named “Four Shepards and a Lamb,” and in 1996 they produced a self-titled CD of original contemporary Christian music. In 1998, Isaac released his first solo album, “On Subtle Ground,” featuring original keyboard instrumentals. Over the years, Isaac has played piano for numerous church worship teams and has continued to collaborate with James, adding piano to the rock “Moment By Moment” CD and to the Beatles/Everly Brothers love-songs tribute album called “From Me To You.” In 2005, Isaac produced his first live piano album, “Swept Away,” a collection of relaxing compositions. In 2008, Isaac produced his second solo piano album, called “Deep Joy.”
Christian Sinding
Christian August Sinding was a Norwegian composer. He is best known for his lyrical work for piano, Frühlingsrauschen. He was often compared to Edvard Grieg and regarded as his successor.
Dukas
Paul Abraham Dukas (1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man, of retiring personality, he was intensely self-critical, and he abandoned and destroyed many of his compositions. His best known work is the orchestral piece The Sorcerer's Apprentice (L'apprenti sorcier), the fame of which has eclipsed that of his other surviving works. Among these are an opera Ariane et Barbe-bleue, a symphony, two substantial works for solo piano, and a ballet, La Péri.
At a time when French musicians were divided into conservative and progressive factions, Dukas adhered to neither but retained the admiration of both. His compositions were influenced by composers including Beethoven, Berlioz, Franck, d'Indy and Debussy.
In tandem with his composing career, Dukas worked as a music critic, contributing regular reviews to at least five French journals. Later in his life he was appointed professor of composition at the Conservatoire de Paris and the École Normale de Musique; his pupils included Maurice Duruflé, Olivier Messiaen, Manuel Ponce, and Joaquín Rodrigo.
At a time when French musicians were divided into conservative and progressive factions, Dukas adhered to neither but retained the admiration of both. His compositions were influenced by composers including Beethoven, Berlioz, Franck, d'Indy and Debussy.
In tandem with his composing career, Dukas worked as a music critic, contributing regular reviews to at least five French journals. Later in his life he was appointed professor of composition at the Conservatoire de Paris and the École Normale de Musique; his pupils included Maurice Duruflé, Olivier Messiaen, Manuel Ponce, and Joaquín Rodrigo.
Patrick Swayze
Patrick Wayne Swayze (pronounced /ˈsweɪziː/; August 18, 1952 – September 14, 2009) was an American actor, dancer and singer-songwriter. He was best-known for his roles as romantic leading men in the films Dirty Dancing and Ghost and as Orry Main in the North and South television miniseries. He was named by People magazine as its "Sexiest Man Alive" in 1991.
Diagnosed with Stage IV pancreatic cancer in January 2008, Swayze told Barbara Walters a year later that he was "kicking it". However, he died from the disease on September 14, 2009. His last role was the lead in an ill-fated A&E TV series, The Beast, which premiered on January 15, 2009. Due to a prolonged decline in health, Swayze was unable to promote the series. On June 15, 2009, Entertainment Tonight announced that the show has been canceled.
Diagnosed with Stage IV pancreatic cancer in January 2008, Swayze told Barbara Walters a year later that he was "kicking it". However, he died from the disease on September 14, 2009. His last role was the lead in an ill-fated A&E TV series, The Beast, which premiered on January 15, 2009. Due to a prolonged decline in health, Swayze was unable to promote the series. On June 15, 2009, Entertainment Tonight announced that the show has been canceled.
Beauty and the Beast
Beauty and the Beast is a 1991 animated American family film. It is the thirtieth animated feature produced by Walt Disney Feature Animation. The film received its premiere at the El Capitan Theatre in Hollywood on November 13, 1991. This film, one of the best known of the Disney studio's films, is based on the well-known fairy tale Beauty and the Beast, about a beautiful woman kept in a castle by a horrific monster. It is the first and only full-length animated feature film to ever be nominated for an Academy Award for Best Picture (it lost to The Silence of the Lambs). Heightening the level of performance in the era known as the Disney Renaissance (1989-1999, beginning with The Little Mermaid and ending with Tarzan ), many animated films following its release have been influenced by its blending of traditional animation and computer generated imagery.
Beauty and the Beast ranked 7th on the American Film Institutes's list of best animated films, #22 on the Institutes's list of best musicals and #34 on its list of the best romantic American movies. On the list of the greatest songs from American movies, Beauty and the Beast ranked #62. The film was adapted into a Broadway musical of the same name, which ran from 1994 to 2007.
In 2002, Beauty and the Beast was added to the United States National Film Registry as being deemed "culturally, historically, or aesthetically significant." In January of the same year, the film was reissued in IMAX format in a special edition edit including a new musical sequence. A two-disc Platinum Edition DVD release followed in October.
Beauty and the Beast ranked 7th on the American Film Institutes's list of best animated films, #22 on the Institutes's list of best musicals and #34 on its list of the best romantic American movies. On the list of the greatest songs from American movies, Beauty and the Beast ranked #62. The film was adapted into a Broadway musical of the same name, which ran from 1994 to 2007.
In 2002, Beauty and the Beast was added to the United States National Film Registry as being deemed "culturally, historically, or aesthetically significant." In January of the same year, the film was reissued in IMAX format in a special edition edit including a new musical sequence. A two-disc Platinum Edition DVD release followed in October.
Josh Freilich
Born in the small hamlet of Ardsley, New York in the later period of the 1980s, Josh's life has been continuously devoted to music. It all started with a little electronic musical toy that drove his parents nuts. If that didn't help with his understanding of pitch and harmony, he didn't know what would. So he decided to start legit piano lessons at the age of 4, having plinked and plunked on his parents' rackety old upright piano since the age of 2. Of course, it wasn't long before Josh would start taking up jazz piano, in addition to the long-haired music. Then came elementary school, where he would then joyfully render his version of "My Country 'Tis of Thee" at his Earth Day assembly, which was really not bad for a 5-year-old. One thing led to another, and Josh was asked to play at almost every school event that involved at least some music. Soon, after numerous school concerts and musicals, Josh made a move on to the big city of New York, where he got his Bachelor of Music for jazz piano at the Manhattan School of Music. MSM taught Josh the craft of composing, arranging, and orchestrating as well as jazz piano.
The Band Perry
The Band Perry, an American country music group, is composed of siblings Kimberly Perry (lead vocals, guitar, piano), Reid Perry (bass guitar, background vocals), and Neil Perry (mandolin, drums, accordion, background vocals). They signed to Republic Nashville in August 2009 and have released four singles: "Hip to My Heart" (November 2009), "If I Die Young" (June 2010), "You Lie" (January 2011), and "All Your Life" (August 2011). All four songs are included on the band's self-titled debut album, released October 12, 2010. "If I Die Young" reached #1 on the Hot Country Songs and Adult Contemporary charts and has been certified quadruple platinum.
Shakira
Shakira Isabel Mebarak Ripoll (born February 2, 1977) known simply as Shakira, is a Colombian singer-songwriter of Lebanese and European descent, musician, record producer, dancer and philanthropist who has been a major figure in the pop music scene of Latin America since the mid-1990s. She is a native Spanish speaker and also speaks fluent English, Portuguese, Italian, and some Arabic. In 2001, she broke through onto the English-speaking world with the release of Laundry Service, which sold over thirteen million copies worldwide. Shakira is the highest-selling Colombian artist of all time, having sold more than 50 million albums worldwide, according to BMI. She has also won numerous awards worldwide, including two Grammy Awards, eight Latin Grammy Awards, fifteen Billboard Music Awards, three MTV Video Music Awards, a People's Choice Award and receiving a Golden Globe nomination. She is also the only artist from South America to reach the number-one spot on the Billboard Hot 100, the Australian ARIA chart, the United World Chart and the UK Singles Chart. Additionally, she is one of the only artists to have 10 Spanish singles chart on the Billboard Hot 100.
According to the United World Chart, Shakira is as of 2008 the 4th most successful artist so far for the last decade, in terms of single sales. She is also the only artist to have two songs in the top ten of the most successful singles since 1999. Los Angeles Times declared Shakira "the most completely adapted crossover performer in contemporary pop music".
According to the United World Chart, Shakira is as of 2008 the 4th most successful artist so far for the last decade, in terms of single sales. She is also the only artist to have two songs in the top ten of the most successful singles since 1999. Los Angeles Times declared Shakira "the most completely adapted crossover performer in contemporary pop music".
Joni Mitchell
Joni Mitchell was born on November 7, 1943, in Fort Macleod, Canada. In 1968, she recorded her first, self-titled album. Other highly successful albums followed. Mitchell won her first Grammy Award (best folk performance) for her 1969 album, Clouds. She has won seven more Grammy Awards since then, in several different categories, including traditional pop, pop music and lifetime achievement.
OneRepublic
OneRepublic is an American Rock band formed in Colorado. After a few years of moderate success, they have since drawn mainstream attention with the release of their single "Apologize," which has sold in excess of 7 million singles worldwide. The song, according to SoundScan Data, is one of only two songs that have reached 3 million legal downloads in history. A remix of "Apologize" was featured on Timbaland's Shock Value and the band's debut album, Dreaming Out Loud, produced by Greg Wells. Their debut album was released in the United States on November 20, 2007, with international release dates staggered throughout early 2008. As of June 14, 2008, Dreaming Out Loud had sold 761,298 copies in the U.S. with the bands total album sales coming to over 1.5 million worldwide so far. The band's second single, "Stop and Stare," has also crossed the 2 million mark in terms of worldwide single sales. Their third single, "Say (All I Need)", has been released in the UK and in the U.S. Their fourth single will be "Mercy", as stated by OneRepublic's MySpace page. The video has been streamed on Youtube.com.
Current members:
Ryan Tedder – Lead vocals, Guitar, Bass Guitar, Piano, Glockenspiel, Drums (2002–present)
Zach Filkins – Guitar, vocals (2002–present)
Drew Brown – Guitar, Bass Guitar, Glockenspiel (2002–present)
Eddie Fisher – Drums, percussion (2005–present)
Brent Kutzle – Bass guitar, keyboards, cello, vocals (2007–present)
Current members:
Ryan Tedder – Lead vocals, Guitar, Bass Guitar, Piano, Glockenspiel, Drums (2002–present)
Zach Filkins – Guitar, vocals (2002–present)
Drew Brown – Guitar, Bass Guitar, Glockenspiel (2002–present)
Eddie Fisher – Drums, percussion (2005–present)
Brent Kutzle – Bass guitar, keyboards, cello, vocals (2007–present)
Gabriel Urbain Fauré
Gabriel Urbain Fauré (French: ; 12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs "Après un rêve" and "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.
Théodore-César Salom
Théodore-César Salomé (20 January 1834 – 26 July 1896) was a French organist and composer.Théodore Salomé was born in Paris. He completed all of his musical studies at the Conservatoire de Paris, under the tutelage of François Bazin for harmony and accompaniment, and François Benoist for organ. He won several honorable awards, including: second prize in harmony (1855), second prize in organ and in harmony (1856), second and third prize in harmony and organ (1857), and second prize in harmony (1859). His cantata Atala was awarded the premier Second Grand Prix of the Prix de Rome in 1861. In the same year Théodore Dubois was awarded the first grand prize, and Eugène Anthiome and Titus Constantin won the deuxième Second Grand Prix.
Tay Zonday
Adam Nyerere Bahner (born July 6, 1982), better known by the pseudonym Tay Zonday, is an American musician, voice actor, film actor, and social commentator. He was an MC for YouTube Live in 2008. He entered mainstream exposure when his song "Chocolate Rain" and accompanying video on YouTube became a popular Internet meme in July 2007. By December 2009, it had over 46 million views.
Bela Bartok
Béla Viktor János Bartók (pronounced /ˈbɑrtɒk/ (Wells 1990), Hungarian pronunciation: ) (March 25, 1881 – September 26, 1945) was a Hungarian composer and pianist. He is considered to be one of the greatest composers of the 20th century and is regarded, along with Liszt, as his country's greatest composer (Gillies 2001). Through his collection and analytical study of folk music, he was one of the founders of ethnomusicology.
Queen
Queen were an English rock band formed in 1970 in London by guitarist Brian May, lead vocalist Freddie Mercury, and drummer Roger Taylor, with bass guitarist John Deacon completing the lineup the following year. While it is uncertain how many albums the band has sold, estimations range from 130 million to over 300 million albums worldwide.
The band is noted for their musical diversity, multi-layered arrangements, vocal harmonies, and incorporation of audience participation into their live performances. Their 1985 Live Aid performance was voted the best live rock performance of all time in an industry poll.
Queen had moderate success in the early 1970s, with the albums Queen and Queen II, but it was with the release of Sheer Heart Attack in 1974 and A Night at the Opera the following year that the band gained international success. They have released fifteen studio albums, five live albums, and numerous compilation albums. Eighteen of these have reached number one on charts around the world.
Following Mercury's death in 1991 and Deacon's retirement later in the decade, May and Taylor have performed infrequently under the Queen name. Since 2005 they have been collaborating with Paul Rodgers, under the moniker Queen + Paul Rodgers.
The band is noted for their musical diversity, multi-layered arrangements, vocal harmonies, and incorporation of audience participation into their live performances. Their 1985 Live Aid performance was voted the best live rock performance of all time in an industry poll.
Queen had moderate success in the early 1970s, with the albums Queen and Queen II, but it was with the release of Sheer Heart Attack in 1974 and A Night at the Opera the following year that the band gained international success. They have released fifteen studio albums, five live albums, and numerous compilation albums. Eighteen of these have reached number one on charts around the world.
Following Mercury's death in 1991 and Deacon's retirement later in the decade, May and Taylor have performed infrequently under the Queen name. Since 2005 they have been collaborating with Paul Rodgers, under the moniker Queen + Paul Rodgers.
Andrea Bocelli
Andrea Bocelli (born 22 September 1958) is an Italian operatic pop tenor and a classical crossover singer who has also performed in operas. To date, he has recorded six complete operas (La bohème, Il trovatore, Werther, Pagliacci, Cavalleria rusticana and Tosca) in addition to various classical and pop albums. He has sold 60 million albums worldwide thus far. Born with congenital glaucoma, total blindness came to Bocelli at the age of twelve, after a football accident.
Brahms
Johannes Brahms (May 7, 1833 â April 3, 1897) was a German composer of the Romantic period. He was born in Hamburg and in his later years he settled in Vienna, Austria.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Bruno Mars
Peter Gene Hernandez (born October 8, 1985), better known by his stage name Bruno Mars, is an American singer-songwriter and music producer. Raised in Honolulu, Hawaii by a family of musicians, Mars began making music at a young age. After performing in various musical venues in his hometown throughout his childhood, he decided to pursue a musical career. Mars began producing songs for other artists, joining production team The Smeezingtons.
He became recognized as a solo artist after lending his vocals and co-writing the hooks for the songs "Nothin' on You" by B.o.B, and "Billionaire" by Travie McCoy. He also co-wrote the hits "Right Round" by Flo Rida featuring Kesha, "Wavin' Flag" by K'naan, and "Fuck You!" by Cee Lo Green. In October 2010, he released his debut album, Doo-Wops & Hooligans. Anchored by the singles "Just the Way You Are" and "Grenade", the album peaked at number three on the Billboard 200. He has been nominated for seven Grammys at the 53rd Grammy Awards, which will be held on February 13, 2011.
He became recognized as a solo artist after lending his vocals and co-writing the hooks for the songs "Nothin' on You" by B.o.B, and "Billionaire" by Travie McCoy. He also co-wrote the hits "Right Round" by Flo Rida featuring Kesha, "Wavin' Flag" by K'naan, and "Fuck You!" by Cee Lo Green. In October 2010, he released his debut album, Doo-Wops & Hooligans. Anchored by the singles "Just the Way You Are" and "Grenade", the album peaked at number three on the Billboard 200. He has been nominated for seven Grammys at the 53rd Grammy Awards, which will be held on February 13, 2011.
Beethoven
Ludwig van Beethoven (16 December 1770 - 26 March 1827) was a German composer and pianist. He was a crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most respected and influential composers of all time.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Scott Joplin
Scott Joplin (between June 1867 and January 1868 – April 1, 1917) was an American musician and composer of ragtime music. He remains the best-known ragtime figure and is regarded as one of the three most important composers of classic ragtime, along with James Scott and Joseph Lamb, and also a precursor to Stride Piano. Decades after his death, his music enjoyed a considerable surge of popularity and critical respect in the 1970s, especially for his most famous composition, "The Entertainer."
Even at the time of publication, Joplin's publisher John Stark was claiming that the rags had obtained classical status, and "lifted ragtime from its low estate and lined it up with Beethoven and Bach".
Even at the time of publication, Joplin's publisher John Stark was claiming that the rags had obtained classical status, and "lifted ragtime from its low estate and lined it up with Beethoven and Bach".
Joshua Redman
Joshua Redman was born in Berkeley, California, to jazz saxophonist Dewey Redman and dancer and librarian Renee Shedroff. He is Jewish. He was exposed to many kinds of music at the Center for World Music in Berkeley, where his mother studied South Indian dance. Some of his earliest lessons in music and improvisation were on recorder with gamelan player Jody Diamond. He was exposed at an early age to a variety of musics and instruments and began playing clarinet at age nine before switching to what became his primary instrument, the tenor saxophone, one year later. Redman cites John Coltrane, Ornette Coleman, Cannonball Adderley, his father Dewey Redman, as well as the Beatles, Aretha Franklin, the Temptations, Earth, Wind and Fire, Prince, the Police and Led Zeppelin as musical influences.
Henry Mancini
Henry Mancini (April 16, 1924 – June 14, 1994) was an American composer, conductor and arranger. He is remembered particularly for being a composer of film and television scores. Mancini also won a record number of Grammy awards, including a Grammy Lifetime Achievement Award in 1995. His best-known works are the jazz-idiom theme to The Pink Panther film series ("The Pink Panther Theme"), the Peter Gunn Theme (from the so-named series) and "Moon River".
Mancini was nominated for an unprecedented 72 Grammys, winning 20. Additionally he was nominated for 18 Academy Awards, winning four. He also won a Golden Globe Award and was nominated for two Emmys.
Mancini won a total of four Oscars for his music in the course of his career. He was first nominated for an Academy Award in 1955 for his original score of The Glenn Miller Story, on which he collaborated with Joseph Gershenson. He lost out to Adolph Deutsch and Saul Chaplin's Seven Brides for Seven Brothers. In 1962 he was nominated in the Best Music, Original Song category for "Bachelor in Paradise" from the film of the same name, in collaboration with lyricist Mack David. That song did not win. However, Mancini did receive two Oscars that year: one in the same category, for the song "Moon River" (shared with lyricist Johnny Mercer), and one for "Best Music, Scoring of a Dramatic or Comedy Picture" for Breakfast at Tiffany's. The following year, he and Mercer took another Best Song award for "Days of Wine and Roses," another eponymous theme song. His next eleven nominations went for naught, but he finally garnered one last statuette working with lyricist Leslie Bricusse on the score for Victor/Victoria, which won the "Best Music, Original Song Score and Its Adaptation or Best Adaptation Score" award for 1983. All three of the films for which he won were directed by Blake Edwards. His score for Victor/Victoria was adapted for the 1995 Broadway musical of the same name.
Mancini was nominated for an unprecedented 72 Grammys, winning 20. Additionally he was nominated for 18 Academy Awards, winning four. He also won a Golden Globe Award and was nominated for two Emmys.
Mancini won a total of four Oscars for his music in the course of his career. He was first nominated for an Academy Award in 1955 for his original score of The Glenn Miller Story, on which he collaborated with Joseph Gershenson. He lost out to Adolph Deutsch and Saul Chaplin's Seven Brides for Seven Brothers. In 1962 he was nominated in the Best Music, Original Song category for "Bachelor in Paradise" from the film of the same name, in collaboration with lyricist Mack David. That song did not win. However, Mancini did receive two Oscars that year: one in the same category, for the song "Moon River" (shared with lyricist Johnny Mercer), and one for "Best Music, Scoring of a Dramatic or Comedy Picture" for Breakfast at Tiffany's. The following year, he and Mercer took another Best Song award for "Days of Wine and Roses," another eponymous theme song. His next eleven nominations went for naught, but he finally garnered one last statuette working with lyricist Leslie Bricusse on the score for Victor/Victoria, which won the "Best Music, Original Song Score and Its Adaptation or Best Adaptation Score" award for 1983. All three of the films for which he won were directed by Blake Edwards. His score for Victor/Victoria was adapted for the 1995 Broadway musical of the same name.
Kawai Kenji
Kenji Kawai is a Japanese music composer and arranger. Known as one of the biggest names in the soundtrack world, he has worked on a wide range of mixed media productions, including anime, TV shows, films and video games.
Nobuo Uematsu
Nobuo Uematsu (植松伸夫 Uematsu Nobuo?, born March 21, 1959) is a Japanese video game composer and musician, best known for scoring the majority of titles in the Final Fantasy series. He is regarded as one of the most famous and respected composers in the video game community. Uematsu is a self-taught musician; he began to play the piano at the age of eleven or twelve, with Elton John as his biggest influence.
Uematsu joined Square (later Square Enix) in 1985, where he met Final Fantasy creator Hironobu Sakaguchi. They have worked together on numerous titles, most notably the games in the Final Fantasy series. After nearly 20 years in the company, he left Square Enix in 2004 and founded his own company called Smile Please, as well as the music production company Dog Ear Records. He has since composed music as a freelancer for video games primarily developed by Square Enix and Sakaguchi's development studio Mistwalker.
A handful of soundtracks and arranged albums of Uematsu's game scores have been released. Pieces from his video game works have been performed in concerts worldwide, and numerous Final Fantasy concerts have also been held. He has worked with Grammy Award-winning conductor Arnie Roth on several of these concerts. In 2002, he formed a rock band with colleagues Kenichiro Fukui and Tsuyoshi Sekito called The Black Mages, in which Uematsu plays the keyboard. The band plays arranged rock versions of Uematsu's Final Fantasy compositions.
Uematsu joined Square (later Square Enix) in 1985, where he met Final Fantasy creator Hironobu Sakaguchi. They have worked together on numerous titles, most notably the games in the Final Fantasy series. After nearly 20 years in the company, he left Square Enix in 2004 and founded his own company called Smile Please, as well as the music production company Dog Ear Records. He has since composed music as a freelancer for video games primarily developed by Square Enix and Sakaguchi's development studio Mistwalker.
A handful of soundtracks and arranged albums of Uematsu's game scores have been released. Pieces from his video game works have been performed in concerts worldwide, and numerous Final Fantasy concerts have also been held. He has worked with Grammy Award-winning conductor Arnie Roth on several of these concerts. In 2002, he formed a rock band with colleagues Kenichiro Fukui and Tsuyoshi Sekito called The Black Mages, in which Uematsu plays the keyboard. The band plays arranged rock versions of Uematsu's Final Fantasy compositions.
Edwin McCain
Edwin McCain (born January 20, 1970 in Greenville, South Carolina) is an American alternative rock singer-songwriter.
While his albums are released under his name, he does have a permanent band, referred to as the Edwin McCain Band. Members of the band include Larry Chaney, lead guitar; Pete Riley, rhythm guitar and background vocals; Craig Shields, saxophone and keyboards; Manny Yanes, bass guitar; and Peter Alexander, drums.
While his albums are released under his name, he does have a permanent band, referred to as the Edwin McCain Band. Members of the band include Larry Chaney, lead guitar; Pete Riley, rhythm guitar and background vocals; Craig Shields, saxophone and keyboards; Manny Yanes, bass guitar; and Peter Alexander, drums.
Harry Gregson-Williams
Harry Gregson-Williams (born 13 December 1961) is a prominent Grammy Award-nominated British composer, orchestrator, conductor, and music producer. He is best known for his film scores, of which he has composed over sixty using electronic music and orchestral pieces. He is also known for his collaborations with director Tony Scott, having scored all his films since the 1998 film Enemy of the State and for composing the music of the Metal Gear games saga. Gregson-Williams is one of the most recognized film score composers and a highly-respected film score composer for his musical style, combining electronic music with orchestral and classic music elements.
Calixa Lavallée
Calixa Lavallée (December 28, 1842 – January 21, 1891) was a French-Canadian-American musician and Union Army band musician during the American Civil War. He is best known for composing the music for "O Canada," which officially became the national anthem of Canada in 1980, after a vote in the Senate and the House of Commons. The same 1980 Act of Parliament also changed some of the English lyrics. A slight alteration to the English lyrics was made again in 2018. The original French lyrics and the music, however, have remained unchanged since 1880.
George William Stiles
George William Stiles (born 9 August 1961) is an English composer of musicals for the stageFrom 1974 to 1979, he was educated at Gresham's School, in Norfolk. In 1983 Stiles graduated in music at Exeter University, where performance in organ formed part of his final examinations. It was here that he met his writing partner Anthony Drewe.
Enya
Enya (born Eithne Patricia Nà Bhraonáinon May 17, 1961, Gaoth Dobhair, County Donegal, Ireland), sometimes presented in the media as Enya Brennan, is an Irish singer, instrumentalist and composer. She is Ireland's best-selling solo artist and is officially the country's second biggest musical export (after U2). Her works have earned her four Grammy Awards and an Academy Award nomination, and she is also famous for performing in 10 different languages during her lengthy career. Enya is an approximate transcription of how Eithne is pronounced in her native Irish, in the Donegal dialect.
Burt Bacharach
Burt Bacharach (born May 12, 1928) is an American pianist and composer. He is best known for his many pop hits from the early 1960s through the 1980s, with lyrics written by Hal David, many of which were produced for and recorded by Dionne Warwick.
As of 2006, Bacharach had written a total of 70 Top 40 hits in the US, and 52 Top 40 hits in the UK. According to britishhitsongwriters.com he is the eighteenth most successful songwriter in U.K. chart history based on weeks that his compositions have spent on the chart.
As of 2006, Bacharach had written a total of 70 Top 40 hits in the US, and 52 Top 40 hits in the UK. According to britishhitsongwriters.com he is the eighteenth most successful songwriter in U.K. chart history based on weeks that his compositions have spent on the chart.
Thomas Ravenscroft
Thomas Ravenscroft (c. 1582 or 1592 until 1635) was an English composer, theorist and editor, notable as a composer of rounds and catches, and especially for compiling collections of British folk music.
He probably sang in the choir of St. Paul's Cathedral from 1594, when a "Thomas Raniscroft" was listed on the choir rolls; likely he remained there until around 1600, under the directorship of Thomas Giles. He probably received his bachelor's degree in 1605 from Cambridge.
Ravenscroft's principal contributions are his collections of folk music, including catches, rounds, street cries, vendor songs, "freeman's songs" and other anonymous music, in three collections: Pammelia (1609), Deuteromelia or The Seconde part of Musicks melodie (1609) and Melismata (1611). Some of the music he compiled has acquired quite extraordinary fame, though his name is rarely associated with the music: for example "Three Blind Mice" first appears in Deuteromelia. He also published a metrical psalter (The Whole Booke of Psalmes) in 1621. As a composer his works are mostly forgotten, but they include 11 anthems, 3 motets for five voices and four fantasias for viols.
In addition to his activities as a composer and editor, he wrote two treatises on music theory: A Briefe Discourse of the True (but Neglected) Use of Charact'ring the Degrees ... (London, 1614), and A Treatise of Musick, which remains in manuscript (unpublished).
He probably sang in the choir of St. Paul's Cathedral from 1594, when a "Thomas Raniscroft" was listed on the choir rolls; likely he remained there until around 1600, under the directorship of Thomas Giles. He probably received his bachelor's degree in 1605 from Cambridge.
Ravenscroft's principal contributions are his collections of folk music, including catches, rounds, street cries, vendor songs, "freeman's songs" and other anonymous music, in three collections: Pammelia (1609), Deuteromelia or The Seconde part of Musicks melodie (1609) and Melismata (1611). Some of the music he compiled has acquired quite extraordinary fame, though his name is rarely associated with the music: for example "Three Blind Mice" first appears in Deuteromelia. He also published a metrical psalter (The Whole Booke of Psalmes) in 1621. As a composer his works are mostly forgotten, but they include 11 anthems, 3 motets for five voices and four fantasias for viols.
In addition to his activities as a composer and editor, he wrote two treatises on music theory: A Briefe Discourse of the True (but Neglected) Use of Charact'ring the Degrees ... (London, 1614), and A Treatise of Musick, which remains in manuscript (unpublished).
A. Laurent
rthur Laurents (July 14, 1917 – May 5, 2011) was an American playwright, stage director and screenwriter.
After writing scripts for radio shows after college and then training films for the U.S. Army during World War II, Laurents turned to writing for Broadway, producing a body of work that includes West Side Story (1957), Gypsy (1959), and Hallelujah, Baby! (1967), and directing some of his own shows and other Broadway productions.
His early film scripts include Rope (1948) for Alfred Hitchcock, followed by Anastasia (1956), Bonjour Tristesse (1958), The Way We Were (1973), and The Turning Point (1977).
Contents
1 Early life
2 Theatrical career
3 Film career
4 Blacklist
5 Memoirs
6 Death
7 Work
7.1 Writing
7.2 Directing
7.3 Additional credits
8 Awards, nominations and honors
9 See also
10 References
11 Further reading
12 External links
Early life
Born Arthur Levine, Laurents was the son of middle-class Jewish parents, a lawyer and a schoolteacher who gave up her career when she married. He was born and raised in the Flatbush section of Brooklyn, a borough of New York City, New York, the elder of two children, and attended Erasmus Hall High School. His sister Edith suffered from chorea as a child.
His paternal grandparents were Orthodox Jews, and his mother's parents, although born Jewish, were atheists. His mother kept a kosher home for her husband's sake, but was lax about attending synagogue and observing the Jewish holidays. His Bar Mitzvah marked the end of Laurents's religious education and the beginning of his rejection of all fundamentalist religions, although he continued to identify himself as Jewish. However, late in life he admitted to having changed his last name from Levine to the less Jewish-sounding Laurents, "to get a job."
After graduating from Cornell University, Laurents took an evening class in radio writing at New York University. William N. Robson, his instructor, a CBS Radio director/producer, submitted his script Now Playing Tomorrow, a comedic fantasy about clairvoyance, to the network, and it was produced in the Columbia Workshop series on January 30, 1939, with Shirley Booth in the lead role. It was Laurents' first professional credit. The show's success led to him being hired to write scripts for various radio shows, among them Lux Radio Theater. Laurents' career was interrupted when he was drafted into the U.S. Army in the middle of World War II. Through a series of clerical errors, he never saw battle, but instead was assigned to the U.S. Army Pictorial Service located in a film studio in Astoria, Queens, where he wrote training films and met, among others, George Cukor and William Holden. He later was reassigned to write plays for Armed Service Force Presents, a radio show that dramatized the contributions of all branches of the armed forces.
Theatrical career
According to John Clum, "Laurents was always a mirror of his times. Through his best work, one sees a staged history of leftist, gender, and gay politics in the decades after World War II." After graduating from Cornell University in 1937, Laurents went to work as a writer for radio drama at CBS in New York. His military duties during World War II, which consisted of writing training films and radio scripts for Armed Service Force Presents, brought him into contact with some of the best film directors—distinguished director George Cukor directed his first script. Laurents's work in radio and film during World War II was an excellent apprenticeship for a budding playwright and screenwriter. He also had the good fortune to be based in New York City. His first stage play, Home of the Brave, was produced in 1945. The sale of the play to a film studio gave Laurents the entrée he needed to become a Hollywood screenwriter though he continued, with mixed success, to write plays. The most important of his early screenplays is his adaptation of Rope for Alfred Hitchcock.
Soon after being discharged from the Army, Laurents met ballerina Nora Kaye, and the two became involved in an on-again, off-again romantic relationship. While Kaye was on tour with Fancy Free, Laurents continued to write for the radio but was becoming discontented with the medium. At the urging of Martin Gabel, he spent nine consecutive nights writing a play In 1962, Laurents directed I Can Get It for You Wholesale, which helped to turn then-unknown Barbra Streisand into a star. His next project was the stage musical Anyone Can Whistle, which he directed and for which he wrote the book, but it proved to be an infamous flop. He later had success with the musicals Hallelujah, Baby! (written for Lena Horne but ultimately starring Leslie Uggams) and La Cage Aux Folles (1983), which he directed, however Nick & Nora was not successful.
In 2008, Laurents directed a Broadway revival of Gypsy starring Patti LuPone, and in 2009, he tackled a bilingual revival of West Side Story, with Spanish translations of some dialogue and lyrics by Lin-Manuel Miranda. While preparing West Side Story, he noted, "The musical theatre and cultural conventions of 1957 made it next to impossible for the characters to have authenticity." Following the production's March 19 opening at the Palace Theatre, Ben Brantley of The New York Times called the translations "an only partly successful experiment" and added, "Mr. Laurents has exchanged insolence for innocence and, as with most such bargains, there are dividends and losses." The national tour (2011-2012) was directed by David Saint, who was Laurents' assistant director on the Broadway production. The Spanish lyrics and dialog were reduced from about 18% of the total to about 10%.
Film career
Laurents' first Hollywood experience proved to be a frustrating disappointment. Director Anatole Litvak, unhappy with the script submitted by Frank Partos and Millen Brand for The Snake Pit (1948), hired Laurents to rewrite it. Partos and Brand later insisted the bulk of the shooting script was theirs, and produced carbon copies of many of the pages Laurents actually had written to bolster their claim. Having destroyed the original script and all his notes and rewritten pages after completing the project, Laurents had no way to prove most of the work was his, and the Writers Guild of America denied him screen credit. Brand later confessed he and Partos had copied scenes written by Laurents and apologized for his role in the deception. Four decades later, Laurents learned he was ineligible for WGA health benefits because he had failed to accumulate enough credits to qualify. He was short by one, the one he failed to get for The Snake Pit.
Upon hearing 20th Century Fox executives were pleased with Laurents' work on The Snake Pit, Alfred Hitchcock hired him for his next project, the film Rope starring James Stewart. Hitchcock wanted Laurents to Americanize the British play Rope (1929) by Patrick Hamilton for the screen. With his then-lover Farley Granger set to star, Laurents was happy to accept the assignment. His dilemma was how to make the audience aware of the fact the three main characters were homosexual without blatantly saying so. The Hays Office kept close tabs on his work, and the final script was so discreet that Laurents was unsure whether co-star James Stewart ever realized that his character was gay. In later years, Hitchcock asked him to script both Torn Curtain (1966) and Topaz (1969), However, Laurents, in both cases unenthused by the material, declined the offers.
Laurents also scripted Anastasia (1956) and Bonjour Tristesse (1958). The Way We Were (1973), in which he incorporated many of his own experiences, particularly those with the HUAC, reunited him with Barbra Streisand, and The Turning Point (1977), inspired in part by his love for Nora Kaye, was directed by her husband Herbert Ross. The Fox animated feature film Anastasia (1997) was based in part from his screenplay of the live-action 1956 film of the same title.
Blacklist
Because of a casual remark made by Russel Crouse, Laurents was called to Washington, D.C., to account for his political views. He explained himself to the House Un-American Activities Committee, and his appearance had no obvious impact on his career, which at the time was primarily in the theatre. When the McCarran Internal Security Act, which prohibited individuals suspected of engaging in subversive activities from obtaining a passport, was passed in 1950, Laurents and Granger immediately applied for and received passports and departed for Paris with Harold Clurman and his wife Stella Adler. Laurents and Granger remained abroad, traveling throughout Europe and northern Africa, for about 18 months.
Years earlier, Laurents and Jerome Robbins had developed Look Ma, I'm Dancin'! (1948), a stage musical about the world of ballet that ran for 188 performances on Broadway, and starred Nancy Walker and Harold Lang. (Although the musical was ultimately produced with a book by Jerome Lawrence and Robert E. Lee, as Laurents left the project.) Robbins approached Paramount Pictures about directing a screen version, and the studio agreed as long as Laurents was not part of the package.
It was not until then that Laurents learned he officially had been blacklisted, primarily because a review of Home of the Brave had been published in the Daily Worker. He decided to return to Paris, but the State Department refused to renew his passport. Laurents spent three months trying to clear his name, and after submitting a lengthy letter explaining his political beliefs in detail, it was determined they were so idiosyncratic he could not have been a member of any subversive groups. Within a week his passport was renewed, and the following day he sailed for Europe on the Ile de France. While on board, he received a cable from Metro-Goldwyn-Mayer offering him a screenwriting assignment. The blacklist had ended.
Memoirs
Laurents wrote Original Story By Arthur Laurents: A Memoir of Broadway and Hollywood, published in 2000. In it, he discusses his lengthy career and his many gay affairs and long-term relationships, including those with Farley Granger and Tom Hatcher (August 24, 1929 - October 26, 2006). Hatcher was an aspiring actor whom Gore Vidal suggested Laurents seek out at the Beverly Hills men's clothing store Hatcher was managing at the time. The couple remained together for 52 years until Hatcher's death on October 26, 2006.
Laurents wrote Mainly on Directing: Gypsy, West Side Story and Other Musicals, published in 2009, in which he discussed musicals he directed and the work of other directors he admired.
His last memoir titled The Rest of the Story was published posthumously in September 2012.
Death
Laurents died at the age of 93 at his home in Manhattan on May 5, 2011 of pneumonia complications, as reported by The New York Times. Following a long tradition, Broadway theatre lights were dimmed at 8 p.m. on May 6, 2011, for one minute in his memory. His ashes were buried alongside those of Tom Hatcher in a memorial bench in Quogue, Long Island, New York.
Work
Writing
Musicals
West Side Story – 1957 – Tony Nomination for Best Musical
Gypsy – 1959 – Tony Nomination for Best Musical
Anyone Can Whistle – 1964
Do I Hear a Waltz? – 1965
Hallelujah, Baby! – 1967 – Tony Award for Best Musical
The Madwoman of Central Park West – 1979
Nick & Nora – 1991
Novel
The Turning Point – 1977; New American Library (New York City); OCLC 11014907
Plays
Home of the Brave – 1945
The Bird Cage – 1950
The Time of the Cuckoo – 1952
A Clearing in the Woods – 1957
Invitation to a March – 1960
Directing
Invitation to a March – 1960
I Can Get It for You Wholesale – 1962
Anyone Can Whistle – 1964
Gypsy – 1974 – Tony Nomination for Best Direction of a Musical
The Madwoman of Central Park West – 1979
La Cage aux Folles – 1983 – Tony Award for Best Direction of a Musical
Nick & Nora – 1991
Gypsy – 2008 – Tony Award nomination as Best Director of a Musical
West Side Story – 2009 Broadway Revival
Additional credits
Anna Lucasta (screenwriter)
A Clearing in the Woods (playwright)
Invitation to a March (playwright, director)
The Madwoman of Central Park West (playwright, director)
My Good Name (playwright)
Jolson Sings Again (playwright)
The Enclave (playwright, director)
Radical Mystique (playwright, director)
Big Potato (playwright)
Two Lives (playwright)
My Good Name (playwright)
Claudia Lazlo (playwright)
Attacks on the Heart (playwright)
2 Lives (playwright)
New Year's Eve (playwright)
Come Back, Come Back, Wherever You Are (playwright, director)
Caught (screenwriter)
Rope (screenwriter)
Awards, nominations and honors
A new award was established in 2010, The Laurents/Hatcher Foundation Award. This is awarded annually "for an un-produced, full-length play of social relevance by an emerging American playwright." The Laurents/Hatcher Foundation will give $50,000 to the writer with a grant of $100,000 towards production costs at a nonprofit theatre. The first award will be given in 2011.
Theatre
1958 Tony Award for Best Musical (West Side Story, nominee)
1960 Tony Award for Best Musical (Gypsy, nominee)
1968 Tony Award for Best Musical (Hallelujah, Baby!, winner)
1975 Drama Desk Award for Outstanding Director of a Musical (Gypsy, winner)
1975 Tony Award for Best Direction of a Musical (Gypsy, nominee)
1984 Tony Award for Best Direction of a Musical (La Cage aux Folles, winner)
2008 Tony Award for Best Direction of a Musical (Gypsy, nominee)
Film
Academy Award for Best Picture (The Turning Point, nominee)
Academy Award for Best Original Screenplay (The Turning Point, nominee)
Edgar Allan Poe Award for Best Motion Picture Screenplay (Rope, nominee)
Golden Globe Award for Best Screenplay (The Turning Point, nominee)
Writers Guild of America Award for Best Original Screenplay (The Way We Were, nominee; The Turning Point, winner)
National Board of Review Award for Career Achievement (winner)
See also
Biography portal
Film portal
Musical Theatre portal
icon Theatre portal
icon Writing portal
List of Jewish American playwrights
List of novelists from the United States
List of pneumonia victims
List of people from Brooklyn, New York
List of playwrights from the United States
List of theatre directors
References
"Legendary Writer & Director Arthur Laurents Dies at 93". Broadway World. Retrieved May 6, 2011.
John M. Clum. The Works of Arthur Laurents: Politics, Love, and Betrayal. Amherst, NY: Cambria Press, 2014.
"Obituaries: Arthur Laurents". The Daily Telegraph. May 6, 2011.
"When You’re a Shark You’re a Shark All the Way". New York.
Hawtree, Christopher (May 6, 2011). "Arthur Laurents obituary: Playwright and screenwriter who wrote the book for West Side Story". The Guardian. Retrieved 6 August 2012.
Hutchinson, Bill (May 6, 2011). "Playwright Behind 'West Side Story' and 'Gypsy,' Arthur Laurents, Dies at Age 93". Daily News.
Arnold, Laurence (May 5, 2011). "Arthur Laurents, Writer of 'West Side Story,' 'Gypsy' Scripts, Dies at 93". Bloomberg News.
Laurents, Arthur. "Beginnings" Original Story By Arthur Laurents: A Memoir of Broadway and Hollywood, Hal Leonard Corporation, 2001, ISBN 1-55783-467-9, pp. 10–11, 34–35.
Laurents, Arthur. Original Story By. New York: Alfred A. Knopf (2000). ISBN 0-375-40055-9, pp. 6–7.
Laurents, p. 133.
Laurents, pp. 12–13.
Laurents, pp. 22–28.
Clum, John, "The Works of Arthur Laurents: Politics, Love, and Betrayal", November 2014, Cambria Press, ISBN 1604978848
Clum, John, "The Works of Arthur Laurents: Politics, Love, and Betrayal"
Laurents, p. 93.
Jones, Kenneth (July 16, 2008). "'West Side Story', This Time With Bilingual Approach, Will Return to Broadway in February 2009". Playbill.
Brantley, Ben (March 20, 2009). "Our Gangs". The New York Times.
Berson, M. (January 8, 2012). "'West Side Story': A classic revived" Archived January 12, 2012, at the Wayback Machine. Seattle Times.
Laurents, pp. 106–120.
Laurents, pp. 115–116, 124–131.
Laurents, p. 136.
""West Side Story Author Arthur Laurents Dies, 93" Archived July 9, 2012, at Archive.today forum.bcdb.com. May 4, 2011.
Laurents, p. 29.
Laurents, pp. 165–190.
Vaill, Amanda (2006). Somewhere: The Life of Jerome Robbins, Random House, Inc. p. 135. ISBN 0-7679-0420-6.
"'Look Ma, I'm Dancin' listing". Internet Broadway Database.
Laurents, pp. 286–289.
"Backstage.com obituary, November 1, 2006". Backstage.
Berkvist, Robert (May 5, 2011). "Arthur Laurents, Playwright and Director on Broadway, Dies at 93". The New York Times.
Jones, Kenneth (May 6, 2011). "Broadway Lights Will Dim May 6 in Memory of Arthur Laurents" Archived October 21, 2012, at the Wayback Machine. Playbill.
Gans, Andrew (June 3, 2010). "New Award Named for Arthur Laurents and His Partner, the Late Tom Hatcher" Archived June 5, 2010, at the Wayback Machine. Playbill.
Further reading
Laurents, Arthur (2000). Original Story by Arthur Laurents: A Memoir of Broadway and Hollywood. New York: Knopf. ISBN 0-375-40055-9.
Laurents, Arthur (2009). Mainly on Directing: Gypsy, West Side Story, and Other Musicals. New York: Knopf. ISBN 0-307-27088-2.
Clum, John (2014). The Works of Arthur Laurents: Politics, Love, and Betrayal. Amherst, NY: Cambria Press. ISBN 978-1-60497-884-1.
External links
Arthur Laurents at the Internet Broadway Database Edit this at Wikidata
Arthur Laurents at the Internet Off-Broadway Database
Arthur Laurents on IMDb
American Theatre Wing biography
Works by or about Arthur Laurents in libraries (WorldCat catalog)
Works by Arthur Laurents at Open Library Edit this at Wikidata
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Works by Arthur Laurents
Writer
Musicals
West Side Story (1957) Gypsy (1959) Anyone Can Whistle (1964) Do I Hear a Waltz? (1965) Hallelujah, Baby! (1967) The Madwoman of Central Park West (1979) Nick & Nora (1991)
Plays
Home of the Brave (1945) The Time of the Cuckoo (1952)
Films
Rope (1948) Caught (1949) Anastasia (1956) Bonjour Tristesse (1958) The Way We Were (1973) The Turning Point (1977)
Director
I Can Get It for You Wholesale (1962) Anyone Can Whistle (1964) Gypsy (1974) The Madwoman of Central Park West (1979) La Cage aux Folles (1983) Birds of Paradise (1987) Gypsy (1989) Nick & Nora (1991) Gypsy (2008) West Side Story (2009)
Awards for Arthur Laurents
vte
Arthur Laurents, Leonard Bernstein and Stephen Sondheim's West Side Story (1957)
Characters
Maria
Inspiration
William Shakespeare's Romeo and Juliet
Adaptations
West Side Story (1961 film) West Side Story Suite (1995 ballet) West Side Story (2020 film)
Variations
Deaf Side Story (c. 2002 musical) Swango (2002 musical) West Bank Story (2005 parody film)
Songs
Act 1
"Something's Coming" "Maria" "Tonight" "America" "Cool" "One Hand, One Heart" "Tonight (Quintet & Chorus)"
Act 2
"I Feel Pretty" "Somewhere" "Gee, Officer Krupke" "A Boy Like That"
Albums
West Side Story (1957 original cast) West Side Story (1959 Previn) West Side Story (1961 soundtrack) West Side Story (1961 Tjader) Bernstein Plays Brubeck Plays Bernstein (1961 Brubeck Quartet) West Side Story (1962 Peterson Trio) Kenton's West Side Story (1962 Kenton) Toshiko–Mariano Quartet (in West Side) (1963 Akiyoshi) West Side Story (1974 Earl Hines)
Related
"The First Time" "Upper West Side Story" Wild Side Story China Girl "Roses" Play It Again Josh Superjail!
Authority control Edit this at Wikidata
BNE: XX1122852 BNF: cb140368976 (data) GND: 123286352 ISNI: 0000 0001 1025 0247 LCCN: n85173003 MusicBrainz: e062e9c9-5fd4-4384-ba1d-71495ce3bb7d NKC: xx0026607 NTA: 071341080 SNAC: w6gf56zk SUDOC: 058478094 VIAF: 37116781 WorldCat Identities (via VIAF): 37116781
Categories: 1917 births2011 deathsAmerican memoiristsAmerican musical theatre librettistsAmerican people of World War IIAmerican male screenwritersCornell University alumniDeaths from pneumoniaDrama Desk Award winnersErasmus Hall High School alumniGay writersHollywood blacklistInfectious disease deaths in New York (state)Jewish American novelistsLGBT JewsLGBT memoiristsLGBT writers from the United StatesPeople from Flatbush, BrooklynUnited States Army personnelWriters from New York CityJewish American dramatists and playwrightsAnalysands of Theodor ReikLGBT dramatists and playwrightsLGBT novelistsGolden Globe Award-winning producersAmerican male novelistsLGBT screenwritersLGBT people from New York (state)Tony Award winnersAmerican male dramatists and playwrights20th-century American novelists20th-century American dramatists and playwrightsNovelists from New York (state)20th-century American non-fiction writersAmerican male non-fiction writersScreenwriters from New York (state)American Theater Hall of Fame inductees
After writing scripts for radio shows after college and then training films for the U.S. Army during World War II, Laurents turned to writing for Broadway, producing a body of work that includes West Side Story (1957), Gypsy (1959), and Hallelujah, Baby! (1967), and directing some of his own shows and other Broadway productions.
His early film scripts include Rope (1948) for Alfred Hitchcock, followed by Anastasia (1956), Bonjour Tristesse (1958), The Way We Were (1973), and The Turning Point (1977).
Contents
1 Early life
2 Theatrical career
3 Film career
4 Blacklist
5 Memoirs
6 Death
7 Work
7.1 Writing
7.2 Directing
7.3 Additional credits
8 Awards, nominations and honors
9 See also
10 References
11 Further reading
12 External links
Early life
Born Arthur Levine, Laurents was the son of middle-class Jewish parents, a lawyer and a schoolteacher who gave up her career when she married. He was born and raised in the Flatbush section of Brooklyn, a borough of New York City, New York, the elder of two children, and attended Erasmus Hall High School. His sister Edith suffered from chorea as a child.
His paternal grandparents were Orthodox Jews, and his mother's parents, although born Jewish, were atheists. His mother kept a kosher home for her husband's sake, but was lax about attending synagogue and observing the Jewish holidays. His Bar Mitzvah marked the end of Laurents's religious education and the beginning of his rejection of all fundamentalist religions, although he continued to identify himself as Jewish. However, late in life he admitted to having changed his last name from Levine to the less Jewish-sounding Laurents, "to get a job."
After graduating from Cornell University, Laurents took an evening class in radio writing at New York University. William N. Robson, his instructor, a CBS Radio director/producer, submitted his script Now Playing Tomorrow, a comedic fantasy about clairvoyance, to the network, and it was produced in the Columbia Workshop series on January 30, 1939, with Shirley Booth in the lead role. It was Laurents' first professional credit. The show's success led to him being hired to write scripts for various radio shows, among them Lux Radio Theater. Laurents' career was interrupted when he was drafted into the U.S. Army in the middle of World War II. Through a series of clerical errors, he never saw battle, but instead was assigned to the U.S. Army Pictorial Service located in a film studio in Astoria, Queens, where he wrote training films and met, among others, George Cukor and William Holden. He later was reassigned to write plays for Armed Service Force Presents, a radio show that dramatized the contributions of all branches of the armed forces.
Theatrical career
According to John Clum, "Laurents was always a mirror of his times. Through his best work, one sees a staged history of leftist, gender, and gay politics in the decades after World War II." After graduating from Cornell University in 1937, Laurents went to work as a writer for radio drama at CBS in New York. His military duties during World War II, which consisted of writing training films and radio scripts for Armed Service Force Presents, brought him into contact with some of the best film directors—distinguished director George Cukor directed his first script. Laurents's work in radio and film during World War II was an excellent apprenticeship for a budding playwright and screenwriter. He also had the good fortune to be based in New York City. His first stage play, Home of the Brave, was produced in 1945. The sale of the play to a film studio gave Laurents the entrée he needed to become a Hollywood screenwriter though he continued, with mixed success, to write plays. The most important of his early screenplays is his adaptation of Rope for Alfred Hitchcock.
Soon after being discharged from the Army, Laurents met ballerina Nora Kaye, and the two became involved in an on-again, off-again romantic relationship. While Kaye was on tour with Fancy Free, Laurents continued to write for the radio but was becoming discontented with the medium. At the urging of Martin Gabel, he spent nine consecutive nights writing a play In 1962, Laurents directed I Can Get It for You Wholesale, which helped to turn then-unknown Barbra Streisand into a star. His next project was the stage musical Anyone Can Whistle, which he directed and for which he wrote the book, but it proved to be an infamous flop. He later had success with the musicals Hallelujah, Baby! (written for Lena Horne but ultimately starring Leslie Uggams) and La Cage Aux Folles (1983), which he directed, however Nick & Nora was not successful.
In 2008, Laurents directed a Broadway revival of Gypsy starring Patti LuPone, and in 2009, he tackled a bilingual revival of West Side Story, with Spanish translations of some dialogue and lyrics by Lin-Manuel Miranda. While preparing West Side Story, he noted, "The musical theatre and cultural conventions of 1957 made it next to impossible for the characters to have authenticity." Following the production's March 19 opening at the Palace Theatre, Ben Brantley of The New York Times called the translations "an only partly successful experiment" and added, "Mr. Laurents has exchanged insolence for innocence and, as with most such bargains, there are dividends and losses." The national tour (2011-2012) was directed by David Saint, who was Laurents' assistant director on the Broadway production. The Spanish lyrics and dialog were reduced from about 18% of the total to about 10%.
Film career
Laurents' first Hollywood experience proved to be a frustrating disappointment. Director Anatole Litvak, unhappy with the script submitted by Frank Partos and Millen Brand for The Snake Pit (1948), hired Laurents to rewrite it. Partos and Brand later insisted the bulk of the shooting script was theirs, and produced carbon copies of many of the pages Laurents actually had written to bolster their claim. Having destroyed the original script and all his notes and rewritten pages after completing the project, Laurents had no way to prove most of the work was his, and the Writers Guild of America denied him screen credit. Brand later confessed he and Partos had copied scenes written by Laurents and apologized for his role in the deception. Four decades later, Laurents learned he was ineligible for WGA health benefits because he had failed to accumulate enough credits to qualify. He was short by one, the one he failed to get for The Snake Pit.
Upon hearing 20th Century Fox executives were pleased with Laurents' work on The Snake Pit, Alfred Hitchcock hired him for his next project, the film Rope starring James Stewart. Hitchcock wanted Laurents to Americanize the British play Rope (1929) by Patrick Hamilton for the screen. With his then-lover Farley Granger set to star, Laurents was happy to accept the assignment. His dilemma was how to make the audience aware of the fact the three main characters were homosexual without blatantly saying so. The Hays Office kept close tabs on his work, and the final script was so discreet that Laurents was unsure whether co-star James Stewart ever realized that his character was gay. In later years, Hitchcock asked him to script both Torn Curtain (1966) and Topaz (1969), However, Laurents, in both cases unenthused by the material, declined the offers.
Laurents also scripted Anastasia (1956) and Bonjour Tristesse (1958). The Way We Were (1973), in which he incorporated many of his own experiences, particularly those with the HUAC, reunited him with Barbra Streisand, and The Turning Point (1977), inspired in part by his love for Nora Kaye, was directed by her husband Herbert Ross. The Fox animated feature film Anastasia (1997) was based in part from his screenplay of the live-action 1956 film of the same title.
Blacklist
Because of a casual remark made by Russel Crouse, Laurents was called to Washington, D.C., to account for his political views. He explained himself to the House Un-American Activities Committee, and his appearance had no obvious impact on his career, which at the time was primarily in the theatre. When the McCarran Internal Security Act, which prohibited individuals suspected of engaging in subversive activities from obtaining a passport, was passed in 1950, Laurents and Granger immediately applied for and received passports and departed for Paris with Harold Clurman and his wife Stella Adler. Laurents and Granger remained abroad, traveling throughout Europe and northern Africa, for about 18 months.
Years earlier, Laurents and Jerome Robbins had developed Look Ma, I'm Dancin'! (1948), a stage musical about the world of ballet that ran for 188 performances on Broadway, and starred Nancy Walker and Harold Lang. (Although the musical was ultimately produced with a book by Jerome Lawrence and Robert E. Lee, as Laurents left the project.) Robbins approached Paramount Pictures about directing a screen version, and the studio agreed as long as Laurents was not part of the package.
It was not until then that Laurents learned he officially had been blacklisted, primarily because a review of Home of the Brave had been published in the Daily Worker. He decided to return to Paris, but the State Department refused to renew his passport. Laurents spent three months trying to clear his name, and after submitting a lengthy letter explaining his political beliefs in detail, it was determined they were so idiosyncratic he could not have been a member of any subversive groups. Within a week his passport was renewed, and the following day he sailed for Europe on the Ile de France. While on board, he received a cable from Metro-Goldwyn-Mayer offering him a screenwriting assignment. The blacklist had ended.
Memoirs
Laurents wrote Original Story By Arthur Laurents: A Memoir of Broadway and Hollywood, published in 2000. In it, he discusses his lengthy career and his many gay affairs and long-term relationships, including those with Farley Granger and Tom Hatcher (August 24, 1929 - October 26, 2006). Hatcher was an aspiring actor whom Gore Vidal suggested Laurents seek out at the Beverly Hills men's clothing store Hatcher was managing at the time. The couple remained together for 52 years until Hatcher's death on October 26, 2006.
Laurents wrote Mainly on Directing: Gypsy, West Side Story and Other Musicals, published in 2009, in which he discussed musicals he directed and the work of other directors he admired.
His last memoir titled The Rest of the Story was published posthumously in September 2012.
Death
Laurents died at the age of 93 at his home in Manhattan on May 5, 2011 of pneumonia complications, as reported by The New York Times. Following a long tradition, Broadway theatre lights were dimmed at 8 p.m. on May 6, 2011, for one minute in his memory. His ashes were buried alongside those of Tom Hatcher in a memorial bench in Quogue, Long Island, New York.
Work
Writing
Musicals
West Side Story – 1957 – Tony Nomination for Best Musical
Gypsy – 1959 – Tony Nomination for Best Musical
Anyone Can Whistle – 1964
Do I Hear a Waltz? – 1965
Hallelujah, Baby! – 1967 – Tony Award for Best Musical
The Madwoman of Central Park West – 1979
Nick & Nora – 1991
Novel
The Turning Point – 1977; New American Library (New York City); OCLC 11014907
Plays
Home of the Brave – 1945
The Bird Cage – 1950
The Time of the Cuckoo – 1952
A Clearing in the Woods – 1957
Invitation to a March – 1960
Directing
Invitation to a March – 1960
I Can Get It for You Wholesale – 1962
Anyone Can Whistle – 1964
Gypsy – 1974 – Tony Nomination for Best Direction of a Musical
The Madwoman of Central Park West – 1979
La Cage aux Folles – 1983 – Tony Award for Best Direction of a Musical
Nick & Nora – 1991
Gypsy – 2008 – Tony Award nomination as Best Director of a Musical
West Side Story – 2009 Broadway Revival
Additional credits
Anna Lucasta (screenwriter)
A Clearing in the Woods (playwright)
Invitation to a March (playwright, director)
The Madwoman of Central Park West (playwright, director)
My Good Name (playwright)
Jolson Sings Again (playwright)
The Enclave (playwright, director)
Radical Mystique (playwright, director)
Big Potato (playwright)
Two Lives (playwright)
My Good Name (playwright)
Claudia Lazlo (playwright)
Attacks on the Heart (playwright)
2 Lives (playwright)
New Year's Eve (playwright)
Come Back, Come Back, Wherever You Are (playwright, director)
Caught (screenwriter)
Rope (screenwriter)
Awards, nominations and honors
A new award was established in 2010, The Laurents/Hatcher Foundation Award. This is awarded annually "for an un-produced, full-length play of social relevance by an emerging American playwright." The Laurents/Hatcher Foundation will give $50,000 to the writer with a grant of $100,000 towards production costs at a nonprofit theatre. The first award will be given in 2011.
Theatre
1958 Tony Award for Best Musical (West Side Story, nominee)
1960 Tony Award for Best Musical (Gypsy, nominee)
1968 Tony Award for Best Musical (Hallelujah, Baby!, winner)
1975 Drama Desk Award for Outstanding Director of a Musical (Gypsy, winner)
1975 Tony Award for Best Direction of a Musical (Gypsy, nominee)
1984 Tony Award for Best Direction of a Musical (La Cage aux Folles, winner)
2008 Tony Award for Best Direction of a Musical (Gypsy, nominee)
Film
Academy Award for Best Picture (The Turning Point, nominee)
Academy Award for Best Original Screenplay (The Turning Point, nominee)
Edgar Allan Poe Award for Best Motion Picture Screenplay (Rope, nominee)
Golden Globe Award for Best Screenplay (The Turning Point, nominee)
Writers Guild of America Award for Best Original Screenplay (The Way We Were, nominee; The Turning Point, winner)
National Board of Review Award for Career Achievement (winner)
See also
Biography portal
Film portal
Musical Theatre portal
icon Theatre portal
icon Writing portal
List of Jewish American playwrights
List of novelists from the United States
List of pneumonia victims
List of people from Brooklyn, New York
List of playwrights from the United States
List of theatre directors
References
"Legendary Writer & Director Arthur Laurents Dies at 93". Broadway World. Retrieved May 6, 2011.
John M. Clum. The Works of Arthur Laurents: Politics, Love, and Betrayal. Amherst, NY: Cambria Press, 2014.
"Obituaries: Arthur Laurents". The Daily Telegraph. May 6, 2011.
"When You’re a Shark You’re a Shark All the Way". New York.
Hawtree, Christopher (May 6, 2011). "Arthur Laurents obituary: Playwright and screenwriter who wrote the book for West Side Story". The Guardian. Retrieved 6 August 2012.
Hutchinson, Bill (May 6, 2011). "Playwright Behind 'West Side Story' and 'Gypsy,' Arthur Laurents, Dies at Age 93". Daily News.
Arnold, Laurence (May 5, 2011). "Arthur Laurents, Writer of 'West Side Story,' 'Gypsy' Scripts, Dies at 93". Bloomberg News.
Laurents, Arthur. "Beginnings" Original Story By Arthur Laurents: A Memoir of Broadway and Hollywood, Hal Leonard Corporation, 2001, ISBN 1-55783-467-9, pp. 10–11, 34–35.
Laurents, Arthur. Original Story By. New York: Alfred A. Knopf (2000). ISBN 0-375-40055-9, pp. 6–7.
Laurents, p. 133.
Laurents, pp. 12–13.
Laurents, pp. 22–28.
Clum, John, "The Works of Arthur Laurents: Politics, Love, and Betrayal", November 2014, Cambria Press, ISBN 1604978848
Clum, John, "The Works of Arthur Laurents: Politics, Love, and Betrayal"
Laurents, p. 93.
Jones, Kenneth (July 16, 2008). "'West Side Story', This Time With Bilingual Approach, Will Return to Broadway in February 2009". Playbill.
Brantley, Ben (March 20, 2009). "Our Gangs". The New York Times.
Berson, M. (January 8, 2012). "'West Side Story': A classic revived" Archived January 12, 2012, at the Wayback Machine. Seattle Times.
Laurents, pp. 106–120.
Laurents, pp. 115–116, 124–131.
Laurents, p. 136.
""West Side Story Author Arthur Laurents Dies, 93" Archived July 9, 2012, at Archive.today forum.bcdb.com. May 4, 2011.
Laurents, p. 29.
Laurents, pp. 165–190.
Vaill, Amanda (2006). Somewhere: The Life of Jerome Robbins, Random House, Inc. p. 135. ISBN 0-7679-0420-6.
"'Look Ma, I'm Dancin' listing". Internet Broadway Database.
Laurents, pp. 286–289.
"Backstage.com obituary, November 1, 2006". Backstage.
Berkvist, Robert (May 5, 2011). "Arthur Laurents, Playwright and Director on Broadway, Dies at 93". The New York Times.
Jones, Kenneth (May 6, 2011). "Broadway Lights Will Dim May 6 in Memory of Arthur Laurents" Archived October 21, 2012, at the Wayback Machine. Playbill.
Gans, Andrew (June 3, 2010). "New Award Named for Arthur Laurents and His Partner, the Late Tom Hatcher" Archived June 5, 2010, at the Wayback Machine. Playbill.
Further reading
Laurents, Arthur (2000). Original Story by Arthur Laurents: A Memoir of Broadway and Hollywood. New York: Knopf. ISBN 0-375-40055-9.
Laurents, Arthur (2009). Mainly on Directing: Gypsy, West Side Story, and Other Musicals. New York: Knopf. ISBN 0-307-27088-2.
Clum, John (2014). The Works of Arthur Laurents: Politics, Love, and Betrayal. Amherst, NY: Cambria Press. ISBN 978-1-60497-884-1.
External links
Arthur Laurents at the Internet Broadway Database Edit this at Wikidata
Arthur Laurents at the Internet Off-Broadway Database
Arthur Laurents on IMDb
American Theatre Wing biography
Works by or about Arthur Laurents in libraries (WorldCat catalog)
Works by Arthur Laurents at Open Library Edit this at Wikidata
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Works by Arthur Laurents
Writer
Musicals
West Side Story (1957) Gypsy (1959) Anyone Can Whistle (1964) Do I Hear a Waltz? (1965) Hallelujah, Baby! (1967) The Madwoman of Central Park West (1979) Nick & Nora (1991)
Plays
Home of the Brave (1945) The Time of the Cuckoo (1952)
Films
Rope (1948) Caught (1949) Anastasia (1956) Bonjour Tristesse (1958) The Way We Were (1973) The Turning Point (1977)
Director
I Can Get It for You Wholesale (1962) Anyone Can Whistle (1964) Gypsy (1974) The Madwoman of Central Park West (1979) La Cage aux Folles (1983) Birds of Paradise (1987) Gypsy (1989) Nick & Nora (1991) Gypsy (2008) West Side Story (2009)
Awards for Arthur Laurents
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Arthur Laurents, Leonard Bernstein and Stephen Sondheim's West Side Story (1957)
Characters
Maria
Inspiration
William Shakespeare's Romeo and Juliet
Adaptations
West Side Story (1961 film) West Side Story Suite (1995 ballet) West Side Story (2020 film)
Variations
Deaf Side Story (c. 2002 musical) Swango (2002 musical) West Bank Story (2005 parody film)
Songs
Act 1
"Something's Coming" "Maria" "Tonight" "America" "Cool" "One Hand, One Heart" "Tonight (Quintet & Chorus)"
Act 2
"I Feel Pretty" "Somewhere" "Gee, Officer Krupke" "A Boy Like That"
Albums
West Side Story (1957 original cast) West Side Story (1959 Previn) West Side Story (1961 soundtrack) West Side Story (1961 Tjader) Bernstein Plays Brubeck Plays Bernstein (1961 Brubeck Quartet) West Side Story (1962 Peterson Trio) Kenton's West Side Story (1962 Kenton) Toshiko–Mariano Quartet (in West Side) (1963 Akiyoshi) West Side Story (1974 Earl Hines)
Related
"The First Time" "Upper West Side Story" Wild Side Story China Girl "Roses" Play It Again Josh Superjail!
Authority control Edit this at Wikidata
BNE: XX1122852 BNF: cb140368976 (data) GND: 123286352 ISNI: 0000 0001 1025 0247 LCCN: n85173003 MusicBrainz: e062e9c9-5fd4-4384-ba1d-71495ce3bb7d NKC: xx0026607 NTA: 071341080 SNAC: w6gf56zk SUDOC: 058478094 VIAF: 37116781 WorldCat Identities (via VIAF): 37116781
Categories: 1917 births2011 deathsAmerican memoiristsAmerican musical theatre librettistsAmerican people of World War IIAmerican male screenwritersCornell University alumniDeaths from pneumoniaDrama Desk Award winnersErasmus Hall High School alumniGay writersHollywood blacklistInfectious disease deaths in New York (state)Jewish American novelistsLGBT JewsLGBT memoiristsLGBT writers from the United StatesPeople from Flatbush, BrooklynUnited States Army personnelWriters from New York CityJewish American dramatists and playwrightsAnalysands of Theodor ReikLGBT dramatists and playwrightsLGBT novelistsGolden Globe Award-winning producersAmerican male novelistsLGBT screenwritersLGBT people from New York (state)Tony Award winnersAmerican male dramatists and playwrights20th-century American novelists20th-century American dramatists and playwrightsNovelists from New York (state)20th-century American non-fiction writersAmerican male non-fiction writersScreenwriters from New York (state)American Theater Hall of Fame inductees
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Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
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In his four-decade career, John has been one of the dominant forces in rock and popular music, especially during the 1970s. He has sold over 200 million records, making him one of the most successful artists of all time. He has more than 50 Top 40 hits including seven consecutive No. 1 U.S. albums, 59 Top 40 singles, 16 Top 10, four No. 2 hits, and nine No. 1 hits. He has won five Grammy awards and one Academy Award. His success has had a profound impact on popular music and has contributed to the continued popularity of the piano in rock and roll. In 2004, Rolling Stone ranked him #49 on their list of the 100 greatest artists of all time.
Some of the characteristics of John's musical talent include an ability to quickly craft melodies for the lyrics of songwriting partner Bernie Taupin, his former rich tenor (now baritone) voice, his classical and gospel-influenced piano, the aggressive orchestral arrangements of Paul Buckmaster among others and the flamboyant fashions, outlandishly excessive eyeglasses, and on-stage showmanship, especially evident during the 1970s.
John was inducted into the Rock and Roll Hall of Fame in 1994. He has been heavily involved in the fight against AIDS since the late 1980s, and was knighted in 1998. He entered into a civil partnership with David Furnish on 21 December 2005 and continues to be a champion for LGBT social movements. On April 9, 2008, John held a benefit concert for Hillary Clinton's presidential campaign, raising $2.5 million.
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In 1976 he was invited from Olivier Toussaint a French record producer and his partner Paul de Senneville to record a gentle piano ballad. Paul de Senneville had composed this ballad as a tribute to his new born daughter “Adeline”. The 23 year old Philippe Pagès was auditioned along with 20 other pianists. They liked his special and soft touch on the keyboards combined with his good looks and fine personality, and finally he got the job.
Philippe Pagès' name was changed to Richard Clayderman (he adopted his great-grandmother's last name to avoid mispronunciation of his real name outside France), and the single took off, selling an astonishing 22 million copies in 38 countries. It was called Ballade pour Adeline.
In 1976 he was invited from Olivier Toussaint a French record producer and his partner Paul de Senneville to record a gentle piano ballad. Paul de Senneville had composed this ballad as a tribute to his new born daughter “Adeline”. The 23 year old Philippe Pagès was auditioned along with 20 other pianists. They liked his special and soft touch on the keyboards combined with his good looks and fine personality, and finally he got the job.
Philippe Pagès' name was changed to Richard Clayderman (he adopted his great-grandmother's last name to avoid mispronunciation of his real name outside France), and the single took off, selling an astonishing 22 million copies in 38 countries. It was called Ballade pour Adeline.
Title Of Show
is a one-act musical, with music and lyrics by Jeff Bowen and a book by Hunter Bell. The show chronicles its own creation as an entry in the New York Musical Theatre Festival, and follows the struggles of the author and composer/lyricist and their two actress friends during the initial brief (three-week) creative period, along with subsequent events leading up to the show's production.
Schumann
Robert Schumann, sometimes given as Robert Alexander Schumann, (June 8, 1810 – July 29, 1856) was a German composer, aesthete and influential music critic. He is one of the most famous Romantic composers of the 19th century.
He had hoped to pursue a career as a virtuoso pianist, having been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe after only a few years of study with him. However, a hand injury prevented those hopes from being realized, and he decided to focus his musical energies on composition. Schumann's published compositions were, until 1840, all for the piano; he later composed works for piano and orchestra, many lieder (songs for voice and piano), four symphonies, an opera, and other orchestral, choral and chamber works. His writings about music appeared mostly in the Neue Zeitschrift für Musik ("The New Journal for Music"), a Leipzig-based publication that he jointly founded.
In 1840, after a long and acrimonious legal battle with his piano instructor Friedrich Wieck, Schumann married Wieck's daughter, pianist Clara Wieck, a considerable figure of the Romantic period in her own right. Clara Wieck showcased many works by her husband as well. For the last two years of his life, after an attempted suicide, Schumann was confined to a mental institution.
He had hoped to pursue a career as a virtuoso pianist, having been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe after only a few years of study with him. However, a hand injury prevented those hopes from being realized, and he decided to focus his musical energies on composition. Schumann's published compositions were, until 1840, all for the piano; he later composed works for piano and orchestra, many lieder (songs for voice and piano), four symphonies, an opera, and other orchestral, choral and chamber works. His writings about music appeared mostly in the Neue Zeitschrift für Musik ("The New Journal for Music"), a Leipzig-based publication that he jointly founded.
In 1840, after a long and acrimonious legal battle with his piano instructor Friedrich Wieck, Schumann married Wieck's daughter, pianist Clara Wieck, a considerable figure of the Romantic period in her own right. Clara Wieck showcased many works by her husband as well. For the last two years of his life, after an attempted suicide, Schumann was confined to a mental institution.
U2
U2 are a rock band from Dublin, Ireland. The band consists of Bono (vocals and guitar), The Edge (guitar, keyboards, and vocals), Adam Clayton (bass guitar) and Larry Mullen, Jr. (drums and percussion).
The band formed in 1976 when the members were teenagers with limited musical proficiency. By the mid-1980s, however, the band had become a top international act, noted for their anthemic sound, Bono's impassioned vocals, and The Edge's textural guitar playing. Their success as a live act was greater than their success at selling records until their 1987 album The Joshua Tree increased the band's stature "from heroes to superstars," according to Rolling Stone. U2 responded to the dance and alternative rock revolutions, and their own sense of musical stagnation by reinventing themselves with their 1991 album Achtung Baby and the accompanying Zoo TV Tour. Similar experimentation continued for the rest of the 1990s. Since 2000, U2 have pursued a more traditional sound that retains the influence of their previous musical explorations.
U2 have sold more than 140 million albums worldwide and have won 22 Grammy Awards, more than any other band. In 2005, the band were inducted into the Rock and Roll Hall of Fame in their first year of eligibility. Rolling Stone magazine listed U2 at #22 in its list of the 100 greatest artists of all time. Throughout their career, as a band and as individuals, they have campaigned for human rights and social justice causes, including Amnesty International, the ONE Campaign, and Bono's DATA (Debt, AIDS, Trade in Africa) campaign.
The band formed in 1976 when the members were teenagers with limited musical proficiency. By the mid-1980s, however, the band had become a top international act, noted for their anthemic sound, Bono's impassioned vocals, and The Edge's textural guitar playing. Their success as a live act was greater than their success at selling records until their 1987 album The Joshua Tree increased the band's stature "from heroes to superstars," according to Rolling Stone. U2 responded to the dance and alternative rock revolutions, and their own sense of musical stagnation by reinventing themselves with their 1991 album Achtung Baby and the accompanying Zoo TV Tour. Similar experimentation continued for the rest of the 1990s. Since 2000, U2 have pursued a more traditional sound that retains the influence of their previous musical explorations.
U2 have sold more than 140 million albums worldwide and have won 22 Grammy Awards, more than any other band. In 2005, the band were inducted into the Rock and Roll Hall of Fame in their first year of eligibility. Rolling Stone magazine listed U2 at #22 in its list of the 100 greatest artists of all time. Throughout their career, as a band and as individuals, they have campaigned for human rights and social justice causes, including Amnesty International, the ONE Campaign, and Bono's DATA (Debt, AIDS, Trade in Africa) campaign.
Miklos Rozsa
Miklós Rózsa (Hungarian: ; 18 April 1907 – 27 July 1995) was a Hungarian-American composer trained in Germany (1925–1931), and active in France (1931–1935), the United Kingdom (1935–1940), and the United States (1940–1995), with extensive sojourns in Italy from 1953. Best known for his nearly one hundred film scores, he nevertheless maintained a steadfast allegiance to absolute concert music throughout what he called his "double life."
Rózsa achieved early success in Europe with his orchestral Theme, Variations, and Finale (Op. 13) of 1933 and became prominent in the film industry from such early scores as The Four Feathers (1939) and The Thief of Bagdad (1940). The latter project brought him to America when production was transferred from wartime Britain, and Rózsa remained in the United States, becoming an American citizen in 1946. His notable Hollywood career earned him considerable fame, earning 17 Academy Award nominations including winning for Spellbound (1945), A Double Life (1947), and Ben-Hur (1959), while his concert works were championed by such major artists as Jascha Heifetz, Gregor Piatigorsky, and János Starker.
Rózsa achieved early success in Europe with his orchestral Theme, Variations, and Finale (Op. 13) of 1933 and became prominent in the film industry from such early scores as The Four Feathers (1939) and The Thief of Bagdad (1940). The latter project brought him to America when production was transferred from wartime Britain, and Rózsa remained in the United States, becoming an American citizen in 1946. His notable Hollywood career earned him considerable fame, earning 17 Academy Award nominations including winning for Spellbound (1945), A Double Life (1947), and Ben-Hur (1959), while his concert works were championed by such major artists as Jascha Heifetz, Gregor Piatigorsky, and János Starker.
Puccini
Giacomo Antonio Domenico Michele Secondo Maria Puccini (December 22, 1858 – November 29, 1924) was an Italian composer whose operas, including La Bohème, Tosca, and Madama Butterfly, are among the most frequently performed in the standard repertoire. Some of his arias, such as "O Mio Babbino Caro" from Gianni Schicchi, "Che gelida manina" from La Bohème, and "Nessun Dorma" from Turandot, have become part of popular culture.
The subject of Puccini's style is one that has been long avoided by musicologists; this avoidance can perhaps be attributed to the perception that his work, with its emphasis on melody and evident popular appeal, lacked "seriousness" (a similar prejudice beset Rachmaninoff during his lifetime). Despite the place Puccini clearly occupies in the popular tradition of Verdi, his style of orchestration also shows the strong influence of Wagner, matching specific orchestral configurations and timbres to different dramatic moments. His operas contain an unparalleled manipulation of orchestral colors, with the orchestra often creating the scene’s atmosphere.
The structures of Puccini's works are also noteworthy. While it is to an extent possible to divide his operas into arias or numbers (like Verdi's), his scores generally present a very strong sense of continuous flow and connectivity, perhaps another sign of Wagner’s influence. Like Wagner, Puccini used leitmotifs to connote characters (or combinations of characters). This is apparent in Tosca, where the three chords which signal the beginning of the opera are used throughout to announce Scarpia. Several motifs are also linked to Mimi and the Bohemians in La Bohème and to Cio-Cio-San's eventual suicide in Butterfly. Unlike Wagner, though, Puccini's motifs are static: where Wagner's motifs develop into more complicated figures as the characters develop, Puccini's remain more or less identical throughout the opera (in this respect anticipating the themes of modern musical theatre).
The subject of Puccini's style is one that has been long avoided by musicologists; this avoidance can perhaps be attributed to the perception that his work, with its emphasis on melody and evident popular appeal, lacked "seriousness" (a similar prejudice beset Rachmaninoff during his lifetime). Despite the place Puccini clearly occupies in the popular tradition of Verdi, his style of orchestration also shows the strong influence of Wagner, matching specific orchestral configurations and timbres to different dramatic moments. His operas contain an unparalleled manipulation of orchestral colors, with the orchestra often creating the scene’s atmosphere.
The structures of Puccini's works are also noteworthy. While it is to an extent possible to divide his operas into arias or numbers (like Verdi's), his scores generally present a very strong sense of continuous flow and connectivity, perhaps another sign of Wagner’s influence. Like Wagner, Puccini used leitmotifs to connote characters (or combinations of characters). This is apparent in Tosca, where the three chords which signal the beginning of the opera are used throughout to announce Scarpia. Several motifs are also linked to Mimi and the Bohemians in La Bohème and to Cio-Cio-San's eventual suicide in Butterfly. Unlike Wagner, though, Puccini's motifs are static: where Wagner's motifs develop into more complicated figures as the characters develop, Puccini's remain more or less identical throughout the opera (in this respect anticipating the themes of modern musical theatre).
Suikoden V
Suikoden V is a role-playing video game developed by Konami and Hudson Soft and published by Konami for the Sony PlayStation 2 video game console and