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"The scratches in Yoko Ono records are moments of relief. " S.A. Sachs
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L. V. Beethoven
Glee
Glee is a musical comedy-drama television series that airs on Fox in the United States. It focuses on the high school glee club New Directions competing on the show choir competition circuit, while its members deal with relationships, sexuality and social issues. The initial main cast encompassed club director and Spanish teacher Will Schuester (Matthew Morrison), cheerleading coach Sue Sylvester (Jane Lynch), guidance counselor Emma Pillsbury (Jayma Mays), Will's wife Terri (Jessalyn Gilsig), and eight club members played by Dianna Agron, Chris Colfer, Kevin McHale, Lea Michele, Cory Monteith, Amber Riley, Mark Salling and Jenna Ushkowitz. For the second season, formerly recurring cast members Mike O'Malley, Heather Morris and Naya Rivera were promoted to the main cast.
The series was created by Ryan Murphy, Brad Falchuk and Ian Brennan, who first conceived Glee as a film. The pilot episode was broadcast on May 19, 2009, and the first season aired from September 9, 2009 to June 8, 2010. The second season began airing on September 21, 2010, and a third season has been commissioned. Glee features on-screen performance-based musical numbers that are selected by Murphy, who aims to maintain a balance between show tunes and chart hits. Songs covered in the show are released through the iTunes Store during the week of broadcast, and a series of Glee albums have been released by Columbia Records. The music of Glee has been a commercial success, with over thirteen million digital single sales and five million album sales. The series' merchandise also includes DVD and Blu-Ray releases, a young adult book series, an iPad application, and a karaoke game for the Wii.
During its first season, Glee received generally favorable reviews from critics, with Metacritic's weighted average based on the impression of 18 critical reviews of 77 percent. The season was nominated for nineteen Emmy Awards, four Golden Globe Awards, six Satellite Awards and fifty-seven other awards, with wins including the 2010 Golden Globe Award for Best Television Series—Musical or Comedy, and Emmy awards for Lynch, guest-star Neil Patrick Harris and Murphy's direction of the pilot episode. The second season has currently been nominated for five Golden Globes including Best Television Series in a Comedy and as well as nominations for Matthew Morrison, Jane Lynch, Lea Michele and Chris Colfer.
The series was created by Ryan Murphy, Brad Falchuk and Ian Brennan, who first conceived Glee as a film. The pilot episode was broadcast on May 19, 2009, and the first season aired from September 9, 2009 to June 8, 2010. The second season began airing on September 21, 2010, and a third season has been commissioned. Glee features on-screen performance-based musical numbers that are selected by Murphy, who aims to maintain a balance between show tunes and chart hits. Songs covered in the show are released through the iTunes Store during the week of broadcast, and a series of Glee albums have been released by Columbia Records. The music of Glee has been a commercial success, with over thirteen million digital single sales and five million album sales. The series' merchandise also includes DVD and Blu-Ray releases, a young adult book series, an iPad application, and a karaoke game for the Wii.
During its first season, Glee received generally favorable reviews from critics, with Metacritic's weighted average based on the impression of 18 critical reviews of 77 percent. The season was nominated for nineteen Emmy Awards, four Golden Globe Awards, six Satellite Awards and fifty-seven other awards, with wins including the 2010 Golden Globe Award for Best Television Series—Musical or Comedy, and Emmy awards for Lynch, guest-star Neil Patrick Harris and Murphy's direction of the pilot episode. The second season has currently been nominated for five Golden Globes including Best Television Series in a Comedy and as well as nominations for Matthew Morrison, Jane Lynch, Lea Michele and Chris Colfer.
Dvorak
Antonín Leopold Dvořák (September 8, 1841 – May 1, 1904) was a Czech composer of Romantic music, who employed the idioms and melodies of the folk music of his native Bohemia and Moravia. His works include operas, symphonic, choral and chamber music. His best-known works are his New World Symphony (particularly the slow movement), as well as his Slavonic Dances, American String Quartet, and Cello Concerto in B minor.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (the best known of which is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (the best known of which is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Seweryn Krajewski
Seweryn Krajewski (born January 3, 1947 in Nowa Sól, Poland) is a Polish singer and songwriter who rose to fame in the 1960s and 70s with the popular Polish band Czerwone Gitary. After leaving the group in 1997, he recorded several solo albums.
He has written songs for many popular Polish singers including Irena Jarocka, Maryla Rodowicz, Urszula Sipińska, Zdzisława Sośnicka, Edyta Geppert and many others.
He has written songs for many popular Polish singers including Irena Jarocka, Maryla Rodowicz, Urszula Sipińska, Zdzisława Sośnicka, Edyta Geppert and many others.
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. His works include the musical comedies Kiss Me, Kate, Fifty Million Frenchmen, DuBarry Was a Lady and Anything Goes, as well as songs like "Night and Day", "I Get a Kick out of You", "Well, Did You Evah!" and "I've Got You Under My Skin". He was noted for his sophisticated, bawdy lyrics, clever rhymes and complex forms. Porter was one of the greatest contributors to the Great American Songbook. Cole Porter is one of the few Tin Pan Alley composers to have written both the lyrics and the music for his songs.
Vivaldi
Antonio Lucio Vivaldi (March 4, 1678 â July 28, 1741), nicknamed il Prete Rosso ("The Red Priest"), was a Venetian priest and Baroque music composer, as well as a famous virtuoso violinist; he was born and raised in the Republic of Venice. The Four Seasons, a series of four violin concerti, is his best-known work and a highly popular Baroque piece.
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
J. S. Bach
Johann Sebastian Bach (21 March 1685, O.S.31 March 1685, N.S. – 28 July 1750, N.S.) was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he did not introduce new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation, and the adaptation of rhythms, forms and textures from abroad, particularly from Italy and France.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, A Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, as well as the Great Eighteen Chorale Preludes and Organ Mass.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, A Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, as well as the Great Eighteen Chorale Preludes and Organ Mass.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.
Pink Floyd
Pink Floyd are an English rock band from Cambridge. The band initially earned recognition for their psychedelic and space rock music, and, as they evolved, for their progressive rock music. Pink Floyd are known for philosophical lyrics, sonic experimentation, innovative album cover art, and elaborate live shows. One of rock music's most successful acts, the group have sold over 200 million albums worldwide including 74.5 million albums in the United States alone. Pink Floyd have influenced progressive rock artists of the 1970s such as Genesis and Yes; and contemporary artists such as Nine Inch Nails and Dream Theater.
Pink Floyd had moderate mainstream success and were one of the most popular bands in the London underground music scene in the late 1960s as a psychedelic band led by Syd Barrett. However, Barrett's erratic behaviour eventually forced his colleagues to replace him with guitarist and singer David Gilmour. After Barrett's departure, singer and bass player Roger Waters gradually became the dominant and driving force in the group by the late-1970s, until his eventual departure from the group in 1985. The band recorded several albums, achieving worldwide success with The Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), and The Wall (1979).
In 1985, Waters declared Pink Floyd "a spent force", but the remaining members, led by Gilmour, continued recording and touring under the name Pink Floyd. Waters sued them for the name and eventually they reached a settlement out of court, under which Gilmour, Mason and Wright would continue as Pink Floyd. They again enjoyed worldwide success with A Momentary Lapse of Reason (1987) and The Division Bell (1994). Waters performed with the band for the first time in 24 years on 2 July 2005 at the London Live 8 concert.
Pink Floyd had moderate mainstream success and were one of the most popular bands in the London underground music scene in the late 1960s as a psychedelic band led by Syd Barrett. However, Barrett's erratic behaviour eventually forced his colleagues to replace him with guitarist and singer David Gilmour. After Barrett's departure, singer and bass player Roger Waters gradually became the dominant and driving force in the group by the late-1970s, until his eventual departure from the group in 1985. The band recorded several albums, achieving worldwide success with The Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), and The Wall (1979).
In 1985, Waters declared Pink Floyd "a spent force", but the remaining members, led by Gilmour, continued recording and touring under the name Pink Floyd. Waters sued them for the name and eventually they reached a settlement out of court, under which Gilmour, Mason and Wright would continue as Pink Floyd. They again enjoyed worldwide success with A Momentary Lapse of Reason (1987) and The Division Bell (1994). Waters performed with the band for the first time in 24 years on 2 July 2005 at the London Live 8 concert.
Anonymous
Easy piano sheets to teach kids how to play piano.
Tom Waits
Thomas Alan Waits (born 7 December 1949) is an American singer-songwriter, composer, and actor. Waits has a distinctive voice, described by critic Daniel Durchholz as sounding "like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car." With this trademark growl, his incorporation of pre-rock styles such as blues, jazz, and vaudeville, and experimental tendencies verging on industrial music, Waits has built up a distinctive musical persona. He has worked as a composer for movies and musical plays and as a supporting actor in films, including The Fisher King, Coffee & Cigarettes, Bram Stoker's Dracula, and Short Cuts. He was nominated for an Academy Award for his soundtrack work on One from the Heart.
Lyrically, Waits' songs contain atmospheric portrayals of bizarre, seedy characters and places, although he has also shown a penchant for more conventional ballads. He has a cult following and has influenced subsequent songwriters despite having little radio or music video support. His songs are best-known to the general public in the form of cover versions by more visible artistsâfor example, "Jersey Girl," performed by Bruce Springsteen; "Downtown Train" and "Tom Traubert's Blues" performed by Rod Stewart; and "Ol' '55," performed by the Eagles. Although Waits' albums have met with mixed commercial success in his native United States, they have occasionally achieved gold album sales status in other countries. He has been nominated for a number of major music awards and has won Grammy Awards for two albums, Bone Machine and Mule Variations.
Waits currently lives in Sonoma County, California with his wife and their three children.
Lyrically, Waits' songs contain atmospheric portrayals of bizarre, seedy characters and places, although he has also shown a penchant for more conventional ballads. He has a cult following and has influenced subsequent songwriters despite having little radio or music video support. His songs are best-known to the general public in the form of cover versions by more visible artistsâfor example, "Jersey Girl," performed by Bruce Springsteen; "Downtown Train" and "Tom Traubert's Blues" performed by Rod Stewart; and "Ol' '55," performed by the Eagles. Although Waits' albums have met with mixed commercial success in his native United States, they have occasionally achieved gold album sales status in other countries. He has been nominated for a number of major music awards and has won Grammy Awards for two albums, Bone Machine and Mule Variations.
Waits currently lives in Sonoma County, California with his wife and their three children.
Puccini
Giacomo Antonio Domenico Michele Secondo Maria Puccini (December 22, 1858 – November 29, 1924) was an Italian composer whose operas, including La Bohème, Tosca, and Madama Butterfly, are among the most frequently performed in the standard repertoire. Some of his arias, such as "O Mio Babbino Caro" from Gianni Schicchi, "Che gelida manina" from La Bohème, and "Nessun Dorma" from Turandot, have become part of popular culture.
The subject of Puccini's style is one that has been long avoided by musicologists; this avoidance can perhaps be attributed to the perception that his work, with its emphasis on melody and evident popular appeal, lacked "seriousness" (a similar prejudice beset Rachmaninoff during his lifetime). Despite the place Puccini clearly occupies in the popular tradition of Verdi, his style of orchestration also shows the strong influence of Wagner, matching specific orchestral configurations and timbres to different dramatic moments. His operas contain an unparalleled manipulation of orchestral colors, with the orchestra often creating the scene’s atmosphere.
The structures of Puccini's works are also noteworthy. While it is to an extent possible to divide his operas into arias or numbers (like Verdi's), his scores generally present a very strong sense of continuous flow and connectivity, perhaps another sign of Wagner’s influence. Like Wagner, Puccini used leitmotifs to connote characters (or combinations of characters). This is apparent in Tosca, where the three chords which signal the beginning of the opera are used throughout to announce Scarpia. Several motifs are also linked to Mimi and the Bohemians in La Bohème and to Cio-Cio-San's eventual suicide in Butterfly. Unlike Wagner, though, Puccini's motifs are static: where Wagner's motifs develop into more complicated figures as the characters develop, Puccini's remain more or less identical throughout the opera (in this respect anticipating the themes of modern musical theatre).
The subject of Puccini's style is one that has been long avoided by musicologists; this avoidance can perhaps be attributed to the perception that his work, with its emphasis on melody and evident popular appeal, lacked "seriousness" (a similar prejudice beset Rachmaninoff during his lifetime). Despite the place Puccini clearly occupies in the popular tradition of Verdi, his style of orchestration also shows the strong influence of Wagner, matching specific orchestral configurations and timbres to different dramatic moments. His operas contain an unparalleled manipulation of orchestral colors, with the orchestra often creating the scene’s atmosphere.
The structures of Puccini's works are also noteworthy. While it is to an extent possible to divide his operas into arias or numbers (like Verdi's), his scores generally present a very strong sense of continuous flow and connectivity, perhaps another sign of Wagner’s influence. Like Wagner, Puccini used leitmotifs to connote characters (or combinations of characters). This is apparent in Tosca, where the three chords which signal the beginning of the opera are used throughout to announce Scarpia. Several motifs are also linked to Mimi and the Bohemians in La Bohème and to Cio-Cio-San's eventual suicide in Butterfly. Unlike Wagner, though, Puccini's motifs are static: where Wagner's motifs develop into more complicated figures as the characters develop, Puccini's remain more or less identical throughout the opera (in this respect anticipating the themes of modern musical theatre).
Johannes Brahms
Johannes Brahms (May 7, 1833 â April 3, 1897) was a German composer of the Romantic period. He was born in Hamburg and in his later years he settled in Vienna, Austria.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Coeur de pirate
Béatrice Martin (born September 22, 1989) is a Canadian pop singer-songwriter from Quebec, who performs under the stage name Cœur de pirate.
She started playing the piano when she was only three years old, and later played as a keyboardist in the post hardcore band December Strikes First when she was 15 years old. After a brief stint as keyboardist for Bonjour Brumaire, she released her debut album Cœur de pirate in 2008 on Grosse Boîte. The album was subsequently nominated for Francophone Album of the Year at the 2009 Juno Awards.
The single "Comme des enfants" reached #1 on CBC Radio 3's R3-30 charts the week of February 19, 2009; it was only the second French language song, following Les Breastfeeders' "Pas sans saveur" in 2006, ever to top that chart.
She attracted wider media attention in February 2009 when Francis Vachon, a photographer from Quebec City, used her song "Ensemble" as the soundtrack to a popular YouTube video depicting his baby son playing with toys, leading to coverage on Good Morning America and a favourable review from blogger Perez Hilton.
In March 2009, Martin started an English side-project called Pearls.
In June 2009, she appeared on a special appearance of CBC Radio's Q radio show with Jian Ghomeshi. She performed her single "Ensemble" and a new song, titled "Place de la république".
She started playing the piano when she was only three years old, and later played as a keyboardist in the post hardcore band December Strikes First when she was 15 years old. After a brief stint as keyboardist for Bonjour Brumaire, she released her debut album Cœur de pirate in 2008 on Grosse Boîte. The album was subsequently nominated for Francophone Album of the Year at the 2009 Juno Awards.
The single "Comme des enfants" reached #1 on CBC Radio 3's R3-30 charts the week of February 19, 2009; it was only the second French language song, following Les Breastfeeders' "Pas sans saveur" in 2006, ever to top that chart.
She attracted wider media attention in February 2009 when Francis Vachon, a photographer from Quebec City, used her song "Ensemble" as the soundtrack to a popular YouTube video depicting his baby son playing with toys, leading to coverage on Good Morning America and a favourable review from blogger Perez Hilton.
In March 2009, Martin started an English side-project called Pearls.
In June 2009, she appeared on a special appearance of CBC Radio's Q radio show with Jian Ghomeshi. She performed her single "Ensemble" and a new song, titled "Place de la république".
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.